Thursday, November 13, 2003

Memory From Your Milk Jug

Last summer on the beach, sitting looking at the stars, our conversation turned to the future. We pass through Kitty Hawk on our way to Buxton and vacation within sight of the famous Cape Hatteras lighthouse.

My daughters marveled at the technological progress of not just the last hundred years since that first flight, but on what's occurred since I left high school in 1978. They wondered what life might be for them in the next 20 or 30 years.

And I told them, without hesitation, that they ain't seen noth'n yet.

For instance, here's an article at newscientist.com: Plastic memory promises cheap, dense storage.

Sounds like pretty useful stuff. But I don't think one can imagine the impact of nanotech, bio-engineering, new materials.

Now I ask you, are our lives that very much different that those who have gone before over this last 10,000 years?

Hell yes.

Wednesday, November 12, 2003

A Glass Of Wine With You, Sir

Penny pointed me to the following article on Master & Comander

An interesting article, but unfortunately wrong. Way off. Sorry, Mr. Nevius, but you've missed the point.

I've been wondering for some time about two things. Would the movie be anything but "inspired" by the books I love so much. AND would the movie reviewers and critics bother to read the books. I'm less concerned about the first than the second.

The movie must stand on its own - I'm hoping it will be fun and not too unconnected from the characters as laid out by Mr. O'Brian. But the books are not, I must insist, a simple collection of seafaring novels. The Napoleonic Wars were NOT a footnote in history. For the most part, the readers of these novels have no desire to actually experience life on one of these voyages. It was at best unpleasant and dangerous. The books are not arcane and filled with impenetrable jargon. OK, well, they are, but that's part of the humor - got to read it to get it.

You see, these books are adventures. They tell a great, thumping story of war and adversity overcome. There's sea battles, storms, spies, and intrigue. There's romance, deceit, treachery, and triumph over incredible odds.

But what makes these books interesting is the development of these characters. Over the course of 20 books, really one long novel, we get to know Jack Aubrey and Steven Maturin. We really get to know them. They are amazing men, but far from perfect. Brilliant in their own environments, foolish in others. Weak, impulsive, jealous, compassionate, but most important, competent. These men know their jobs and that is always fascinating.

I recently read these novels again, not to experience the adventure once more, but to spend some more time with my friends. In a recent New Yorker interview, Quentin Tarinteno talked about "hang out" movies. The type of movie where you love the characters so much you watch them from time to time just to hang out and not feel lonely. Aubrey, Maturin, Killick, Bonden and all the crew are my friends and I enjoy spending time with them.

Another writer recently called these novels "anachronistic". Read the fucking books before you write about them! No, these are not Hornblower novels grown up. No, they're not a anachronistic mess like "The Alienist". O'Brian's characters don't know things they shouldn't in the early 1800's. Some of the funniest scenes are with Steven as a brilliant surgeon for the time, but who thinks that the naval officers are too concerned with cleanliness.

If you have not read them, please do yourself a favor and start. Don't try to force the story into something you know or think you know. Let Mr. O'Brian tell you the story at your pace. Steven Maturin will be at your side, clueless as you, as you try to make sense of the jargon and operation of a ship of the line.

And sure, go see the movie. Just ignore the critics. They haven't read the books and they don't know what they're talking about.

Friday, November 07, 2003

Fictional Places, Real Environments

In seeing Penny's recent post on Nero Wolfe it made me recall a surprise I had a year or so ago.

I was walking back to my hotel from Javits Convention Center in NYC when I spied this plaque on an otherwise nondescript building.

Someday I'll have to make a trip to Florida to the Bahia Mar marina and look slip F-18.

Thursday, November 06, 2003

It's Not What You Know

I had a strange experience the other day. It was really more of a
realization that has lead to a long chain of thoughts.

Last Saturday night, we invited one of Diane's coworkers, his girlfriend and her kids (I'm not sure the word "family" applies, but that's essentially what it is) over to watch The Nightmare Before Christmas.

We all enjoyed the movie and after he asked, "Do you know how Penny doing? I had read about her surgery on her blog and hadn't seen anything since."

I assured him she was doing fine (as you can see from recent updates), but in that moment an entire chain of thoughts erupted. I've only met Brian twice, but he knows LOTS of stuff about me. He works with Diane. They are good friends and talk daily. Brian met Penny some time back and they are friends. Penny and I are close friends and have been for years. Penny has a blog and in it links to this blog.

QED: Brian could potentially know more about me than virtually anyone
else. Not all, not by a long shot, but lots.

Weird.

Of course, I know some of the details of his life, the kind of things that you'd expect to learn about the friend of a spouse, but that's only one point of contact. Brian has three, which puts him far ahead of a general reader of this blog.

Frankly, it doesn't bother me. It is, essentially, the writer's burden. Do your work well and people you don't know will eventually learn a great deal about you and everything you know, everyone you know. I can't and don't worry about it.

The tough but essential part: one can't care what people think about you. You can't control it, so don't try.

Early on in my training as a playwright I learned, to my horror, that I couldn't control every part of production. Even worse, the playwright can't control ANY part of production. I had the good fortune of a main season production at a major university. It was thrilling, until it was time to go see it. It was a very good production, but I wasn't in control. It made me nuts for a while, but once I learned that I couldn't direct the play, act all the parts, sew the costumes, paint the scenery, run the lights, pop the popcorn and sell the tickets AND be the entire audience, I was fine.

Actually, it's quite freeing. I write this stuff. You read it. We never meet.

Enjoy.

Tuesday, November 04, 2003

How To Overload A Book Shelf

If you don't know Gene Wolfe, you're missing one of the truly great living writers. This man is a master, someone who can tell you a story and with each step, each chapter, make you reconsider what you thought the story was about. Once you learn to listen, you'll learn amazing things.

And I see he has something new coming:
The Knight : Book One of The Wizard Knight
.

If you have not read Wolfe, start with The Shadow of the Torturer. Let Mr. Wolfe tell you the story, don't try to force it into what you already think you know.

I have an entire bookshelf in my home office devoted, as I am, to Wolfe.

Monday, October 27, 2003

Here We Go, Into The Wild, Blue, Younder

Traveling for work this week, so posting is questionable (and yes, my posts are mostly questionable, but that's beside the point).

Talk about a mad trip. I leave from Columbus at 6 am Tuesday (which means I need to be to Port Columbus around 4:30 am). Thank god for Daylight Savings Time. I get to San Jose and rush to my first interview by Noon local time. Total of three all the hell over the place.

Three more appointments on Wednesday, then my return flight leaves around 10:30 p.m.. Puts me back into Columbus, if everything goes as planned, around 9:30 a.m. on Thursday.

Why do I do this? First, there's no good way to get back from the West Coast - just as well do the redeye. And Thursday night is "Beggars' Night", since having Trick or Treat actually on Halloween would be throwing our children to the devil or tempt them into delinquency.

So, long trip, short time. And next month I do the same thing to Vegas and back in less time!

Friday, October 24, 2003

Movies for Men

Penny and I have a long ranging discussion about movies and my assertion that there are some that speak specifically to men. I'm not talking about action movies, but movies that connect to men specifically and may leave women viewers uninterested and unappreciative.

One specific example is "Fight Club". Yes, there's explosions and punching, but that's not it. Penny disliked it strongly - I was surprised at how much I connected with it.

Another example is "The Unbearable Lightness of Being". No it's not about the nudity (very nice, though). There are moments when I really connect with the character that Daniel Day-Lewis portrays.

For both these movies and others like them, it's not that I want to be like these men, but I understand them.

Yesterday, Penny wrote:

Check out the latest J. Carroll column at sfgate.com.

Does this have anything to do with the fight Club discussion? i think we're probably not done with that yet, i can feel some more stuff trying to form itself at the back of my consciousness...


And after some thought, I replied.

Yep, Mr. Carroll is on it.

It may get down too a bunch of visceral emotions, which if expressed poorly, sound sexist and boorish.

Perhaps it's like this: at our core, men understand that women, females in general, are stronger and tougher than us. Able to endure more pain and stress and better suited to work out the details. Of course men and women are different, but what we also know is that they're better.

What we also suspect is that men, males, are also MORE emotional than women. Yes, women are better able to express emotions, but they also seem to tolerate them more. Emotions are frightening and are better mastered. At least that's what our instincts tell us. Don't get out of control. Don't get carried away. Find ways to yell and shout that don't end up in people getting killed.

Why do women long survive the death of their mates while men often quickly die? It's not that they can't fend for themselves, certainly not any more. But the pain and the loss overcome them.

It all boils down to this: I don't know what the hell I'm talking about.

In the company of men there is a comfort in belonging. There's a shared, instinctive pleasure at the demonstration of a mastered skill, regardless of it's useful value. We grope around for a way to express what we're feeling and it doesn't fully connect with the language parts. But when we see it, in a movie, in a novel, we connect.

Where's Mr. Pinker when you need him?

To which she replied:
Further thought -- oblique series of associations: in the movie Moonstruck, the character played by Olympia Dukakis asks several times throughout the films what makes men act the way they do? (She's in a particular situation). And she comes up several times with the answer: because they are afraid of death. She tells her husband of many years, finally, Cosmo, you're gonna die no matter what you do. Accept it.


and then:
I just went to your web site, realizing I hadn't read it yet today. This was AFTER I wrote the email about Moonstruck. And there you are, on the theme from a different side...

Amazing


Yes, we men are deeper than we appear.

So, if I were King of the forest, the first thing I would do is abdicate and hand things over for the women to run.

Thursday, October 23, 2003

A Dream Of Dying

And now we turn in our hymnals once again to a song by brother Paul Simon

American Tune: "And I dreamed I was dying
And I dreamed that my soul rose unexpectedly
And looking back down at me
Smiled reassuringly
And I dreamed I was flying
And high up above my eyes could clearly see
The Statue of Liberty
Sailing away to sea
And I dreamed I was flying
"




Last night I went to sleep with a pain in my back, a kidney stone. Not enough to medicate myself into oblivion, though I probably should have. A strong drink may have helped as well. But I was determined to be stoic and quickly went to sleep.

But the pain was such that it trapped me in a dream, one that seemed to extend the whole night. It may have only been seconds, but the dream ran on and on.

In it I was dying. Confined too bed, weak, and the pain clear, in that same spot. Family, friends, strangers came to my bedside, on and on. The living and the dead visited me.

And such was the trap of that dream that I find it hard to escape now awake.

August 19, 1992

After Life

Aaron squinted as the spotlight swept over the crowd and he felt the approaching sensation of a wild sneeze. He continued to clap, then as the sensation grew, he pressed his forefinger to the spot under his nose and the urgency subsided. He sniffed, then stood, trying to clap in rhythm with the lead singer. He felt the twinge again and pressed the spot. Too late. He sneezed with surprising ferocity, and then jerked from the simultaneous burst of pain in his chest. It was stunning. So sharp and piercing, then gone.  He slumped back against his wife, then on to the isle between the seats. He could still see the elderly black man on his left. The man was still clapping. He looked down at Aaron and shook his head as Aaron’s vision blurred and dimmed.

“You sleepy, sugar?”

Aaron looked over at the old woman that sat close to him on the couch. He shuddered uncontrollably. The darkness and sudden silence of the room made his heart pump wildly in fear and surprise. He looked at the woman again and closed his eyes. When he opened them again nothing had changed.

“Grandma? What happened? I…” 

Aaron started to stand, but his grandmother put her arm around him. She looked frail, but she pulled him easily against her shoulder.

“You’re just tired sugar. You’ve had a big time and you’ll be all ready to rest soon. Let me read you this little story while you calm down.” 

She reached down to the side of the couch and pulled out a thin, old book. The colors on its tattered cover were fading and the corners were worn through, exposing the cardboard beneath.

Aaron threw his arms around his grandma and hugged her close, squeezing his eyes closed.

“Grandma! I didn’t think…” his breathing was fast and pained. Tears formed and ran down his cheeks, his throat tightened. 

He sobbed. “Grandma, I’m scared. I don’t want to die.”

“Shush.” She made soft noises and held him close. “I know. It was a big time, wasn’t it?”

Aaron raised his head and wiped the tears out of his eyes, still finding it hard to breath deeply. He looked around. Her living room was dark, but as he remembered it. The blinds were closed and curtains drawn. It was a room comfortably full of furniture. Books and magazines were in neat piles next to each chair or resting place. The black, Bakelite phone sat on the corner table, nearly buried beneath the … He looked up. Behind the couch where he sat was the huge mirror. Above it hung his grandfather’s flintlock rifle. The same rifle that now hung over Aaron’s mantle, in his own home. His throat tightened again.

He turned back and looked at her. His grandma smiled at him and pulled him close again. Aaron felt the pain slowly slide away and he breathed deeply and easily.

“Let me just read you a little and then you can rest.”

Aaron smiled up at her.

“I’m glad you’re here. It all happened so fast.”

“Shush, Aaron. Let’s not worry about that. I just want to ease your mind. You’ve been a good boy. Here.” She helped him climb up into her lab. She settled the book in front of him. Her arms enfolded him as she gently settled her chin on the top of his head.

Aaron looked down at the book. He ran his hand over the cover, smoothing a torn flap. His tears began again and he covered his eyes with his hands. Grandma pulled his head back on her shoulder and opened the little book.

“This is the story of Whatnot,” she told him. The picture was a pastel blur. He wiped his eyes again, but couldn’t clear them of the tears. She read slowly, but without effort.

“Whatnot woke one day and announced to his mother, ‘Mama, today I’m gonna go see what lives down in the tall grass.’”

Aaron heard the dry, brittle page turn. He blinked his eyes and could see a little better. A green and brown vista was painted across the open pages of the book. In the lower left corner was Whatnot, he guessed.

“Whatnot walked all morning through the forest till he came to the big field. It was wide and he couldn’t even see to the other side. He wasn’t sure if there was another side. Whatnot heard the tall grasses rustle softly in the breeze. He stood and looked out into the field a long time.”

Aaron lifted his head to see the book better. 

“Eventually, Whatnot summoned up his courage and walked out into the grass. At first it came up to his knees. It was cool and damp and tickled the backs of his legs.” She turned the page.

“Soon, the grass was up to his waist. He ran his hands across the tops of the wide blades has he walked.  Before long, the grass was up to his shoulders. Whatnot stopped and looked back at the forest. The trees stood high above the field. The trees seemed to go on forever. The forest was a good home, he thought.”

Aaron breathed deeply. He was tired. He hadn’t felt this way when he’d driven with Emily to the amphitheater. It was still early, but he felt like he could close his eyes and be gone in an instant. He struggled to pay attention, to keep his eyes open.

“…and wiggled its nose. Whatnot backed away and left the little rabbit alone. ‘So a rabbit lives in the tall grass.’”

Grandma looked down at him.

“You drifting away, sugar? I can stop here. It’s all right.”

Aaron smiled. 

“No, please, I want to hear it all.”

Grandma smiled.

“Just a bit more then.” She flipped through the remaining pages.

“All right, there isn’t much more to go.”

Aaron closed his eyes and listened to her read, pronouncing every word carefully, almost singing the dialogue softly. Aaron jerked, almost gone.

“… and I didn’t mean to bother you.’ He said. So he backed carefully away, then turned and ran as hard as he could. ‘Lion’s live in the tall grass too!,’ he said.”

Grandma paused.

“You’re not scared, are you sugar?”

“No, Grandma,” Aaron mumbled, “I’m not scared.” 

She squeezed him again. 

“Good. Then that’s enough. You were a good boy and you had a big time. I knew you would. I’m very proud of you.”

Aaron could no longer raise his eyelids, but he felt the warm spot of emotion in his chest. He tried to speak, but his grandma held him tight as he muttered in protest.

“Time to rest,” she said and he heard her switch off the light. In the dark he felt her close and reassuring. 

“The end,” she said, and closed the book.

Tuesday, October 21, 2003

An Ageless Project

Tripped across this one today: the ageless project.

Of course, I signed right up, shameless self promoter that I am. But I'm not sure how useful it is. I am pleased to see that all bloggers aren't 20 years old (or worse, 13 year old girls). And I once again confirmed that most blogs I find aren't terribly interesting.

You see, for me, age was important. Age and experience. When I left grad school at 25 with a "terminal" degree in playwrighting, I knew that I didn't really have anything to say. I wasn't mature enough, both as a person and a writer, to put down anything that wasn't all surface. I knew I needed time. At 25, when asked, I called myself a playwright. See? I have the paperwork to back it up and this nifty certificate. I just needed more time to make it true.

How long? Looks like about 20 years.

Now I'm feeling more in control of my "instrument". My picture of the universe is clearer and more verified. I've had enough time to make mistakes, get a few things right, and slowly fill in the gaps in my education and reading that 19 years of formal education left.

So, who is this guy, Randy Murray, at 43 years old? Ask me what I do and I can give you several answers. I'm an executive in the software industry with nearly 20 years experience in marketing and development. I'm a husband and father with 2 daughters who are bright, talented, and have phenomenal prospects.

But ask me what I am.

I am a writer. I don't think you'll see any plays out of me for a while, but I still think in those terms - it's excellent training. I write short fiction and will on occasion, publish a story or two here. I consider a novel from time to time, but haven't committed to finishing one. Yet.

And I write this journal. This is not a "throw-away" activity. It's not pencil sharpening or warming up. This activity is an important outlet, a publishing outlet, and perhaps a small audience for me as a writer. I value it.

Friday, October 17, 2003

Oooh - Fun With iTunes

Here's a little something nifty to work with the new iTunes music store - one can link directly into it to a specific song.

Here's the link I made to point to the cartoon song I've been harping about:



Fun.

Nitpickers and Other Idiots

I spend a good portion of my waking hours working for a software company. It's a small one, so I wear as many hats as I can stack on. Marketing is supposed to be my job, but I run our customer services as well. So as you might suspect, I get to hear, sometimes directly, from unhappy people.

That's OK. When you work in the sausage factory, you know what's in there. You try to make people happy, and for the most part, you can. But there's always a group that can't be made happy. In fact, the only thing that makes them happy is complaining.

I saw this clearly yesterday from the outside - thankfully not my product for once. Apple announced its Windows version of iTunes and the iTunes Music Store. I'm a long time Mac user and am well familiar with both - great product and service. Then, minutes after the 1 PM presentation was over I began to see threads on sites like Metafilter (do your own damn linking) with reports complaining about the download size "why 19 megabytes for an MP3 player" and the performance, "it's painfully slow - no way I could use it - I can't even move or resize the window".

Lots of complaints. Fast.

OK, so I walked next door where someone was downloading the installer. It is 19 mb, but it's not just and MP3 player. That installer includes Quicktime 6.5, which is software for audio and video playback, the iTunes software itself, that does play mp3s, but also catalogs audio, does internet radio, provides "smart list" organization of your musics (very cool) AND does CD burning - which on Windows has always been a crap shoot.

So it's a lot of software, doing a lot of complex things - stop your bitching.

Next, Corey, sitting next door, completes the download in less than 2 minutes (get off dial-up already, it's 2003) and clicks through the installer - very simple. iTunes fires up, looks exactly like the Mac version. He clicks on the title bar and whips the window around the screen. Clicks on the corner and drags the window smaller and bigger. No problem. One click and there's the music store.

So are these posts lies? No, for the most part. It's just that the posters are idiots. They don't read the readme. They complain about things the manufacturer can't control ("why doesn't Apple let me use this in Canada" - it's not Apple, it's the copyright holders). And they complain to get noticed.

Apple is only the example - it happens to everyone. I just get tired of it from time to time.

Wednesday, October 15, 2003

Underrated But Famous

I like Clint Eastwood. And I think that he's not received his due recognition as a director because of his perception as a tough guy actor. But he is a terrific director. I give you "Unforgiven" as an example. I've not yet seen "Mystic River", but the reviews are coming in strong.

Then there's this: Clint Eastwood on politics and the movies:
"'I knew I was in place for two years and I had absolutely no desire to present myself' for re-election, he said. 'I was able to direct two movies during my mandate without failing in my duties as mayor. Everyone imagined me on course for the White House, especially with a former actor, Ronald Reagan, in power. But I love cinema too much for that.' "


Good for you, Mr. Eastwood.

Monday, October 13, 2003

This Just In: Boobies Are OK

My friend Penny took the time to respond to my muddle headed and testosterone addled musing on the "Boobies for Breast Cancer". Once again and as I've said before: you should listen to her.

More and more I feel like the character in Paul Simon's "You Can Call Me Al."
He looks around, around .....
He sees angels in the architecture,
Spinning in infinity,
He says, Amen! and Hallelujah!"


Don't know why. Just do.

Friday, October 10, 2003

Kelly Mayhew, R.I.P.

Yesterday a friend and college, Kelly Mayhew, passed away. He'd been in hospice for the last few days, so it wasn't a surprise. He fought and lost the battle with cancer for over long two years.

I met Kelly in 1999. For two years he worked as our in-house graphic designer and reported directly to me. He was talented and fast, an unusual quality for a designer. He had a wide ranging career, including work for Disney. He was also the designer for the logo for Heinz Field, home of the Pittsburgh Steelers.

Two years ago, just before he learned of his cancer, I had to fire him in a round of job cuts and typical for Kelly, he expressed sympathy for me in having to make the call.

Kelly was one of the good guys. I spoke with him just last week. He could no longer walk, but still wanted to work. It is some comfort to me that I'd been able to supply him with a steady supply of free lance jobs. Lately, the jobs didn't have deadlines.

I've got few enough friends that I can't afford to lose any of them. My thoughts are with his family and loved ones as we all prepare for life without Kelly.

Wednesday, October 08, 2003

Getting Old (but not that old)

I was born in 1960, which made me too young for the summer of love. Didn't matter. I was raised in a strict religious community, so no free love'n for me, even if I'd been old enough!

No regrets there, just fodder for perspective. I also did all of my dating between 1978 and 1981. Just enough to give me some rather painful disco memories (god, how clueless I was), just get the hang of asking out girls, then married!

That also put me safely monogamous for the last 22 years, protected from nasties like HIV and Herpes. I shudder to think about me trying to date again. Yikes. Happily married, thank you, and I'll just stay that way if I have anything to say about it.

But that doesn't mean that I don't enjoy looking at a pleasing female form. I enjoy it a great deal. I just don't know what to make of this: The Second Annual Blogger Boobie-Thon for Breast Cancer.

It's an excellent cause. I'm well aware of the problems. My sister-in-law is a survivor of breast cancer. I'm the father of two daughters. I'm concerned about their health as well.

It's just that I wonder about tying the two together. I'm not sure it's an outright bad idea. Frankly, there are some excellent "racks" displayed there. I guess I'm more surprised that so many are willing to lift their shirts and send in photos. Sure, many are anonymous, for the most part. Maybe I'm just sensing a bit of the generation gap. Always been a bit of a square.

Are young women really that much more sexually open and available than they were 20 years ago? I'm not concerned about myself - that's not a problem I have to face. But how do you prepare a kid for life like that?

You know, that whole burka thing is growing on me.

Tuesday, October 07, 2003

Don't 'cha Just Love The Onion?

Now there's a job I'd love to have. Reporter for The Onion.

The Onion | IBM Emancipates 8,000 Wage Slaves

Won't someone free me?

Join The Tribe

Here's something interesting, at least it has the potential: Tribe.net.

I'm not overly concerned about privacy - my public persona and private are pretty much one - at least for now.

If you join up, link me as a friend!

Monday, October 06, 2003

Something A Bit More Pleasant To Think About

Diane says I can't quit my job and operate a theater and convention center out of our basement, so I decided to turn my mind to other pleasant thoughts. Here's something delightful from the New York Times.

88 Keys, Many Languages Be sure to see the slideshows and listen to the audio.

I myself am a "hack" piano player. I can read music, but I have no theory. Good ear, poor training. So I play for my own enjoyment, and not enough at that. A couple of years ago I got the bug and upgraded from the really quite good Baldwin "Hamilton" studio piano, to a wonderful Baldwin baby grand. Mine is the model M1 Artist Series in traditional ebony.

Sure, if I had the $$$ I'd have looked at the Steinway, but frankly, it's too much piano for me. The Baldwin is an excellent instrument, far superior to the cheap Korean and Japanese pianos. It has a rich, powerful sound and terrific feel.

If there's time, I'll spend some time at that keyboard tonight.

How Much Straw Can This Camel Haul?


I've been afraid to have my blood pressure checked lately. A few weeks
ago, the day I had another kidney stone attack and I learned my
grandmother had passed away it was something like 158/120. In fact, in
the last couple of months the job stress has been steadily mounting.
We closed a remote office and laid off a lot of good people and close
friends, then a few weeks later we changed our management structure and
laid off another friend - I was part of the decision making process on
both, so my stress has been high all along.

Then this past Friday was a doozie. I had a pretty good day planned,
end of the week, looking forward to the weekend. As I came through the
door just before eight I was greeted with "the web site's down".

OK, no big deal, that happens from time to time. I checked my email
and saw the site reports and a message from the ISP - the main server's
drive had crashed and they were replacing. Still no problem. I had
two separate servers, one with the FTP and SQL (the real data of the
system) and a second with the web site and processing structures -
that's the one that had crashed. I was also confident they could fix
that as well, since not two months in the past I had specifically
requested daily backups.

Or so I thought. They informed me mid morning that that drive was not
backed up. Hadn't been since July, when they changed their backup
procedures. And their backup rotation had wiped out any backups.

So I began reloading both primary sites from my machine, but that was
only HTML. I started looking for other backups and calling for outside
help. My contract programmer was on the road, but would be back in an
hour. He then called me and told me his girl friend had been in an
auto accident and he couldn't help. I called for the original site
developer, a former employee, Jamie, and left messages everywhere. And
the clock continued ticking - our online store generates on average
between $1,000 and $2,000 per day and it wasn't looking good to get
back online soon, maybe days.

Jamie left a message that he could help around 4 p.m. and that left me
fairly confident, but I soon learned he didn't have any personal
backups. I met him at the office, called in the boss and we started
tearing the place apart, looking for backup CDs. No luck. Jamie went
home to search some more and the boss kept looking. Before I went
home for medication I made a series of calls to get the drive packaged
and sent to a drive recovery specialist, a move that could cost up to
five grand.

Around ten Jamie called and let me know that basic operations were
restored, then the boss called that he had found a backup - only two
years old. With that we were back by Saturday morning. I was able to
call off the drive recovery, but we still are missing some
functionality we've added - I don't know the prognosis of getting it
back.

So, we pull another one out of the fire. Not so much fun, though.


Thursday, October 02, 2003

Makin' carrot biscuits

If you misheard the lyrics, you might have thought this was me as well.

cartoon

Makin' carrot biscuits, everyday.
Makin' carrot biscuits, everyway.
Makin' carrot biscuits, it's so fine.
Makin' carrot biscuits and work'n overtime